The nature, identity, and eventual distinctness of contemporary
India are debated in Indian English literature. The realistic, modernistic,
pessimistic style of post-independence writing has recently given way to a
non-representational, experimental, self-aware, and hopeful literature. The
fundamental problem for today’s authors is the forced homogenisation and
uniformity of culture as a result of globalisation, as well as the new, easy,
and superficial internationalism that tempts Indian English writers to sell
themselves internationally.
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