The ironic, mystical, elusive, and cautious nature of Chaucer’s civic spaces constantly clashes with our modern understanding of him and his national office, which provides only the bare essentials flashes of how he resided, the meal he chose to eat, what his external structure appeared like, how he experienced about his opponents and dear ones, or even what he simply did for a living, through his poetry. Consequently, our own interpretations of Chaucer’s life as poet, literature persona, public official, and literature sketch are as much an influence on them since they’re a result or reflective of his storytelling and poetic verse art. Putting out such a statement is not the same as succumbing to mushy relativism; instead, it is the recognition of the inescapable separation of literary invention from the complexity and restrictions of the author’s personal life.
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